Hemlock and the Dread Sorceress (The Makers Fire Book 3)
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A witch is a woman in possession of power. She is the healer, the medicine woman, the bruja , the Mother, the crafty Instagrammer. We read about the wicked witch of fairy tale, and then perhaps the teen witch who bumbles with newfound power, and then the mysterious but alluring adult witch.
As interesting are the differences in the story of the witch. You can learn a lot about how women are viewed across time and place by way of these witch stories. And it is because the witch is a powerful character as complex and shifting as familiar that we will thankfully never run out of material or cause for diverse stories about these bewitching characters. When the note, written in ordinary blue ballpoint, appears between two of the homework books Mr Crossley is marking, he is very upset.
For this is Larwood House, a school for witch-orphans, where witchcraft is utterly forbidden. And yet, suddenly magic is breaking out all over the place—like measles! The last thing anybody needs is a visit from the Divisional Inquisitor. If only Chrestomanci could come and sort out all the trouble! She is a curandera, one who heals with herbs and magic. Soon Tony will journey to the threshold of manhood.
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Always, Ultima watches over him. She graces him with the courage to face childhood bigotry, diabolical possession, the moral collapse of his brother, and too many violent deaths. Under her wise guidance, Tony will probe the family ties that bind him, and he will find in himself the magical secrets of the pagan past—a mythic legacy equally as palpable as the Catholicism of Latin America in which he has been schooled. At each turn in his life there is Ultima who will nurture the birth of his soul. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream.
Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play. She was raised from then on by Mama Yaya, a gifted woman who shared with her the secrets of healing and magic.
Though protected by the spirits, Tituba could not escape the lies and accusations of that hysterical time. As history and fantasy merge, Maryse Conde, acclaimed author of Tree of Life and Segu , creates the richly imagined life of a fascinating woman. Whoever settles, never leaves. Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a 17th century woman whose eyes and mouth are sewn shut.
Muzzled, she walks the streets and enters your homes at will.
Manual Hemlock and the Dread Sorceress (The Makers Fire Book 3)
She stands next to your bed for nights on end. Everybody knows that her eyes may never be opened. The elders of Black Spring have virtually quarantined the town by using high-tech surveillance to prevent their curse from spreading. The only place where Kit feels completely free is in the meadows, where she enjoys the company of the old Quaker woman known as the Witch of Blackbird Pond, and on occasion, her young sailor friend Nat.
She herself is accused of witchcraft! But even within the Wizarding community, he is special. He is the boy who lived: the only person to have ever survived a killing curse inflicted by the evil Lord Voldemort, who launched a brutal takeover of the Wizarding world, only to vanish after failing to kill Harry.
But doing so will bring him into contact with forces more terrifying than he ever could have imagined. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living—and of the human.
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Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force.
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And Tea must be strong—stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves. Gillian and Sally have endured that fate as well: as children, the sisters were forever outsiders, taunted, talked about, pointed at. Their elderly aunts almost seemed to encourage the whispers of witchery, with their musty house and their exotic concoctions and their crowd of black cats.
But all Gillian and Sally wanted was to escape. One will do so by marrying, the other by running away.
Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell.
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They are vile, cunning, detestable creatures who disguise themselves as nice, ordinary ladies. This time, will the thieving, fighting and drinking skills of the Nac Mac Feegle the Wee Free Men be of use, or must Tiffany rely on her own abilities? The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence.
And the witching hour begins…Demonstrating once again her gift for spellbinding storytelling and the creation of legend, Anne Rice makes real for us a great dynasty of witches — a family given to poetry and incest, to murder and philosophy, a family that over the ages is itself haunted by a powerful, dangerous, and seductive being.
Or so he told himself. But, as Morgana revealed herself to him, Nash found himself falling under her bewitching spell. Nash had never trusted his feelings and always kept them in check.
Will she ever make a real witch? At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. A boy whose intentions are as dark as the strange marks on his skin. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life. Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the Wood.
The next choosing is fast approaching, and Agnieszka is afraid. And there is no way to save her. But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose. And then there is the little green-skinned girl named Elphaba, who will grow up to become the infamous Wicked Witch of the West, a smart, prickly, and misunderstood creature who challenges all our preconceived notions about the nature of good and evil. It is the story of a mysterious woman named Athena, told by the many who knew her well—or hardly at all. But, when the week is over, Clara realizes that she has not had time to feel grumpy.
Could it be that helping others makes her feel happy?
Though her grandmother made her living as a shamaness, Eileen publicly dismisses witchcraft as mere superstition. Yet privately, the subject intrigues her. When a research project takes her to the Canary Islands—long rumored to be home to real witches—Eileen is struck by the lush beauty of Tenerife and its blend of Spanish and Moroccan culture.